Karaoke Kalk German Ethnic Music
19.48 GBP
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EAN: 0880918216522
Shipping Costs: 3.99 GBP
Availability: in stock
Delivery Times: 2 - 4 working days
Condition: new
EAN: 0880918216522
Shipping Costs: 3.99 GBP
Availability: in stock
Delivery Times: 2 - 4 working days
Condition: new
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Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century?Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape?Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location.Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline.What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring a cast ofmusic directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe.Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Associate Professor in Musicology at the University of Queensland, Brisbane, Australia.BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada.JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARYOLESKIEWICZ, SAMANTHA OWENS, RASHID-S.PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN
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Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians.Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage.He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music.He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging.Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.
Cornell University Press Unsettling Difference : Music Drama, The Bible, And The Critique Of German Jewish Identity
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Unsettling Difference challenges the major-minor pattern that has framed discussions of German Jewish difference, focusing on instances that fall outside traditional understandings of minority culture.Exploring expressions of Jewish identity and difference in biblical-themed musical dramas and their literary sources, Adi Nester argues that the issue of Jewish difference should be treated as an aesthetic question in the first half of the twentieth century, even amid the rise of pseudoscientific theories about race and blood. Drawing on the fraught, parallel histories of opera and the modern reception of the Hebrew Bible in Germany, both significant in debates at the time about the nature of Jewish separateness, Unsettling Difference shows how this discourse troubles concepts of Jewish marginality and (non-Jewish) German dominance.Through innovative readings of key works in this tradition—Rudolf Borchardt's poem, Das Buch Joram; Paul Ben-Haim's oratorio, Joram; Arnold Schoenberg's opera, Moses und Aron; Joseph Roth's novel, Hiob; and Eric Zeisl's opera, Hiob—Nester shows how these biblical adaptations foreground alternative notions of difference that rely on confusion, ambiguity, radical heterogeneity, excess, and repetition.
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