British Museum Press Watches

British Museum Press Watches
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The British Museum watch collection is unsurpassed anywhere in the world, and tells the story of the watch which spans an incredible 500 years.Within the collection are examples ranging from sixteenth-century early stackfreed watches made in south Germany to exquisite decorative watches of the seventeenth century.Everyday watches from the eighteenth century and precision-made chronometers from the eighteenth and nineteenth centuries are included, as are examples from the modern era.All the major makers of Europe and America will be represented, including Thomas Tompion, whose reputation stretched far and wide even in his own time, and the Swiss-born Abraham Louis Breguet, who lived and worked in Paris supplying the best that money could buy to the crown heads and aristocratic families of the western world.In contrast to the high precision of the horological giants, the Museum has a growing collection of wristwatches, including those with automatic winding systems.There are also extensive collections of pin-pallet lever watches made for the mass market during the nineteenth and twentieth centuries by companies such as Waterbury and Ingersoll.The collections are brought up to the minute with the inclusion of early examples of electro-mechanical watches and the quartz revolution.

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British Museum Press Chronicles Of The Vikings : Records, Memorials And Myths British Museum Press Chronicles Of The Vikings : Records, Memorials And Myths 15.94 GBP There have been many books about the Vikings, but few that see them from their own point of view.Most accounts rely heavily on the records of prejudiced observers (who saw the Vikings only as savage raiders) or the archaeological record, which tells us much about their material culture but little about their values.This classic book reveals how the Vikings saw themselves: portrayed in their own writings or in the reports of people who knew them closely.Using a series of translations from primary sources including runic inscriptions, literary works, rare historical accounts and eye-witness reports, this book brings the Viking world to life.
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British Museum Press The Print Before Photography : An Introduction To European Printmaking 1550 - 1820 British Museum Press The Print Before Photography : An Introduction To European Printmaking 1550 - 1820 55.2 GBP Winner of the 2017 IFPDA Book Award, honouring excellence in research, scholarship, and the discussion of new ideas in the field of fine prints. Copper-plate printmaking, developed alongside Gutenberg’s invention of moveable type, was a huge business employing thousands of people, and dominating image production for nearly four centuries across the whole of Europe.Its techniques and influence remained very stable until the nineteenth century, when this world was displaced by new technologies, of which photography was by far the most important.Print Before Photography examines the unrivalled importance of printmaking in its golden age, illustrated through the British Museum’s outstanding collection of prints.This unique and significant book is destined to be a leading reference in print scholarship, and will be of interest to anyone with an interest in this era of art history.
British Museum Press The Bible In The British Museum : Interpreting The Evidence British Museum Press The Bible In The British Museum : Interpreting The Evidence 15.94 GBP The links between archaeology and the Bible have fascinated generations of archaeologists and biblical scholars who seek documentation of events narrated in the Bible.The British Museum's collections include numerous inscribed objects, scripts and pictorial reliefs which provide such evidence.There is, for example, a Babylonian clay tablet which records Nebuchadnezzar's siege of Jerusalem in 597 BC, as narrated in the book of Jeremiah.For this book the author has selected over seventy such 'documents', mainly from Western Asia, with some examples included from Greece, Egypt and Asia Minor, dating from the period of the Patriarchs to the New Testament times, c. 2000 BC to c. AD 100. He transliterates and translates the ancient texts, which include Cuneiform, Aramaic and Hebrew, and discusses the contribution they make to our knowledge of the culture and history of biblical times.Each object is illustrated in black and white.
University of British Columbia Press Cataloguing Culture : Legacies Of Colonialism In Museum Documentation University of British Columbia Press Cataloguing Culture : Legacies Of Colonialism In Museum Documentation 27.59 GBP How does material culture become data? Why does this matter, and for whom? As the cultures of Indigenous peoples in North America were mined for scientific knowledge, years of organizing, classifying, and cataloguing hardened into accepted categories, naming conventions, and tribal affiliations – much of it wrong.Cataloguing Culture examines how colonialism operates in museum bureaucracies.Using the Smithsonian's National Museum of Natural History as her reference, Hannah Turner organizes her study by the technologies framing museum work over two hundred years: field records, the ledger, the card catalogue, the punch card, and eventually the database.She examines how categories were applied to ethnographic material culture and became routine throughout federal collecting institutions. As Indigenous communities encounter the documentary traces of imperialism while attempting to reclaim what is theirs, this timely work shines a light on access to and return of cultural heritage.
British Museum Press Thomas Bewick : Graphic Worlds British Museum Press Thomas Bewick : Graphic Worlds 13.18 GBP Thomas Bewick (1753–1828) was the foremost wood engraver not only of his generation, but of all subsequent generations, and the quality of his work has remained unsurpassed.His extraordinary woodcuts of animals and birds made him famous, and he dramatically influenced the development of the illustrated book in both England and America.Yet Bewick was no isolated creative genius toiling in an artist’s atelier, but a trade engraver in the heart of the city of Newcastle upon Tyne, working at the very moment when the Industrial Revolution was beginning to change the world.His was an exceptional artistic talent, yet his trade engraving shop was tasked with similar commissions to those offered to hundreds of other similar businesses the length and breadth of the kingdom, catering for their local customers.Bewick’s own talent, however, meant that he approached the trade commissions with his own particular flair and originality, creating many commercial works that are very little known.The British Museum holds an unrivalled collection of Bewick’s works, including those from his commercial ventures, and this book celebrates the skill of the artist by presenting sixty engravings, some never published before, and by offering a historical perspective.Bewick made important – but even today often unrealised – contributions to the development of what we would today call graphic design.From the Victorian times onwards, his work was often separated from his commercial world and he was regarded as an artist-naturalist rather than the artist-craftsman he actually was.This book takes an original approach by addressing this balance for the first time, and places Bewick at the centre of English commercial life in the eighteenth and early nineteenth centuries.
British Museum Press Munch And His World : Graphic Arts And The Avant-Garde In Paris And Berlin British Museum Press Munch And His World : Graphic Arts And The Avant-Garde In Paris And Berlin 27.6 GBP ‘The conference volume _Munch and his World_ offers an excellent overview of Munch's multifaceted print and photographic techniques within the context of his contemporaries, which makes it particular valuable.This extremely readable book is aimed both at a specialist audience and interested non-professionals and, through its selected image comparisons and high-quality illustrations, conveys a vivid impression of Munch's prints within avant-garde art in Berlin and Paris.’ – _Print Quarterly_ The art of Edvard Munch is striking for the originality and universality of its themes, which cross moments in place and time.Yet he was very much an artist of the nineteenth century, and the focus of this publication is to show how especially in his prints and photographs Munch was enabled by technical advances developed by his contemporaries to create an entirely new visual language.Munch is probably best known for his desire to express emotions surrounding love, illness and death.However, the authors in this volume show that this preoccupation was not only based on biographical events but reflects wider contemporary debates on developments in medicine and science, including treatment of mental illness, as well as a proliferation of technical expertise in the production of prints. The arguments presented expand on subjects touched upon in the critically acclaimed British Museum exhibition Edvard Munch: love and angst (2019).Munch's remarkable prints were fundamental to establishing his international career, but there remains much to investigate in connection with the background to his innovatory techniques, his relationship with contemporary printmakers and his experiments with photography.The authors in this volume go some way to address these themes and outline future avenues of research.
Charco Press Explorers Dreamers And Thieves : Latin American Writers In The British Museum Charco Press Explorers Dreamers And Thieves : Latin American Writers In The British Museum 15.02 GBP Explorers, Dreamers and Thieves is an adventure through memory and archives. This book is an exercise in invention that emerges from the complex history of encounter between Europe and the Americas.Following the success of Untold Microcosms – which saw ten Latin American authors write stories inspired by objects from their countries held by the British Museum – the curatorial team at the Museum and at Hay Festival have joined forces again, this time with a slightly different proposal.Six writers – Selva Almada ,Rita Indiana ,Josefa Sánchez ,Philippe Sands ,Juan Gabriel Vásquez andGabriela Weiner – were invited to examine a series of ethnographic documents: a profusion of diaries, letters, drawings, thoughts and transactions, all referring to the acquisition of works for the collection.Using this material as a starting point, they were asked to imagine narratives about the people involved in bringing those pieces to the museum.The journey through these texts is not unlike the one that, in years past, was undertaken by the explorers, dreamers and thieves who serve as an inspiration for this book. Translated by Anne McLean, Robin Myers, Carolina Orloff, Fionn Petch & Frances Riddle.
British Museum Press Beyond El Dorado : Power And Gold In Ancient Colombia British Museum Press Beyond El Dorado : Power And Gold In Ancient Colombia 22.38 GBP In ancient Colombia, people did not use gold as currency or desire it for its economic value.Gold was revered instead for its symbolic association and transformative properties.This sacred metal was used to create some of the most visually dramatic and technically sophisticated works of art found anywhere in the Americas before European contact.Drawing on the spectacular collections of the Museum del Oro in Bogota and the British Museum, this beautiful book features over 100 masterpieces fashioned exquisitely in gold and its alloy tumbaga, including small votive figures, decorative nose rings and earrings, vessels, pectorals and masks.These are presented alongside an array of other highly valued objects – textiles, ceramic figurines, shells, colourful stone beads – which also played a significant part in daily and ritual contexts.Focusing on the artistic production of six of the many chiefdoms that populated pre-Hispanic Colombia, the author explores the fascinating truth behind the myth and ritual of El Dorado (the gilded one), the use of gold objects by spiritual leaders in their dangerous mystical ‘soul journey’; the role played by gold in the public expression of identity and rank by chiefs and community spiritual leaders; and the importance of gold in accompanying the deceased on the final journey to the afterlife.Beyond El Dorado: power and gold in ancient Colombia was published to complement a major exhibition at the British Museum from October 2013 to March 2014.
British Museum Press Japanese Art : Close-Up British Museum Press Japanese Art : Close-Up 15.94 GBP Beautifully illustrated with an array of Japanese art, this book offers a closer look at the rich variety of styles, decoration, motifs and patterns – and the sheer craftsmanship – of Japanese culture.Opening with an introduction that asks ‘What is Japanese art?’, this book presents a selection of striking and fascinating art from Japan, organised into a series of thematic chapters in which the author provides cultural context while pointing out exceptional features.By showing the complete artwork alongside enlarged details – sometimes virtually invisible to the naked eye – intriguing comparisons can be drawn between seemingly unrelated pieces.The selection of illustrations evokes the hand and eye of the most accomplished Japanese craftsmen and women past and present.Offering a superb insight into a wide array of Japanese art, the book highlights – close up and in colour – outstanding examples of design and craft in prints, paintings and screens, metalwork, ceramics, wood, stone and lacquer and will provide endless creative inspiration.
British Museum Press Persian Love Poetry British Museum Press Persian Love Poetry 13.18 GBP A reissue of this popular title with a fresh new paperback format, this collection of beautiful Persian love poetry is richly illustrated with images from the British Museum’ s world-famous collection.Love is everywhere in Persian poetry and can be interpreted in various ways: as mystic love, the basis of the relationship between humans and God; as passionate or affectionate love between lovers, husbands and wives, parents and children, family and friends; even as patriotic love for Iran.The literary style and indeed the Persian language itself are floral and elaborate, but the themes differ little from our preoccupations with love and romance today.With a brief introduction to the Persian poetic tradition and a short biographical note about each of the major poets, this beautiful anthology is the perfect way to discover the treasures of Persian literature and art.
British Museum Press Grayson Perry: The Tomb Of The Unknown Craftsman British Museum Press Grayson Perry: The Tomb Of The Unknown Craftsman 26.99 GBP 'The Tomb of an Unknown Craftsman is of a treasure hoard from a distinct civilisation.The difference is that it is a civilisation of one. The territory it springs from is my imagination. ... The relationship between my personal themes and obsessions and the vastness of world culture as represented in the British Museum is like a narrow pilgrimage trail across an infinite plain.’ - Grayson Perry Grayson Perry’s centrepiece to this fascinating journey is a major artwork: a metal tomb in the form of a ship, encrusted with reliefs and artistic cargo based on, or actually cast from, objects in the collection of the British Museum.The occupant sails into the afterlife surrounded by the talismans of many faiths and peoples.This is a memorial to all the anonymous craftsmen that over the centuries have fashioned the man-made wonders of the world, many of which are on display in the Museum.Around the tomb, the other artworks - ceramics, tiles, cast metal sculpture, textiles and prints - are laid out in ritualistic symmetry as if they once belonged somewhere else.Alongside his own works, Grayson Perry presents a personal selection of objects from the British Museum that are the inspiration for his pieces or connected strongly with them thematically or aesthetically.Including an introduction by Grayson Perry and lavishly illustrated, this book takes us to the fantasy world of a contemporary artist who never fails to challenge and unsettle his audience.
British Museum Press The Lewis Chessmen British Museum Press The Lewis Chessmen 9.51 GBP This lively book considers the various fascinating stories which have evolved to explain the ownership, concealment and discovery of the pieces whilst also placing them in the wider context of the ancient game of chess and secular art of the middle Ages. The Lewis Chessmen consist of elaborately worked walrus ivory and whales’ teeth in the forms of seated kings and queens, mitred bishops, knights on their mounts, standing warders and pawns in the shape of obelisks.They were found in the vicinity of Uig on the Isle of Lewis, but were probably made in Norway, in around 1150-1200 AD.At this time, the Western Isles where the Chessmen were buried were part of the kingdom of Norway, and not Scotland as they are today. Although very few details of the origins of the Chessmen are known, it is possible that they belonged to a merchant travelling from Norway and that they were buried for safekeeping on route to be traded in Ireland.This seems likely as there are enough pieces, though with some elements missing, to make four sets. No exact account of the discovery remains, but they apparently came to light after the collapse of a sand-bank on the coast of the island revealed their hiding place to a passing islander.All that is certain is that they were found some time before 11th April 1831 when they were exhibited at the Society of the Antiquaries in Scotland. Of the original 93 pieces discovered on the Isle of Lewis, 82 pieces are now housed in the British Museum. An exciting read for anyone interested in the history of the famous chess pieces.
British Museum Press Picasso : Printmaker British Museum Press Picasso : Printmaker 27.6 GBP Picasso was one of the most creative and experimental talents ever to explore the medium of print.This book charts his career as a printmaker, which was characterised by close collaboration with skilled printers, through which extraordinary artworks were produced. Picasso was one of the most creative and experimental talents ever to explore the medium of print.This book charts his career as a printmaker, which was characterised by close collaboration with skilled printers, through which extraordinary artworks were produced. Together with a stunning selection of works on paper by Picasso, it also includes sculptures, drawings and prints by other artists and cultures of the kind that inspired Picasso.His prints often demonstrate his keen sense of belonging to an artistic lineage stretching back to antiquity (stemming from his kinship with the Mediterranean world of his birthplace, Málaga), as well as great artists of the past such as Raphael, Rembrandt and Ingres.One section explores the contradictions and controversies relating to Picasso’s relationships with his wives and lovers.The focus on Picasso as a printmaker will argue for the importance of this activity in his long artistic career, and his continued relevance as one of the most creative and experimental talents ever to explore the medium of print.